Last month, I had the opportunity to join co-hosts Marlene Brisk, Elizabeth Clark on and fellow guests Shirley Roberts and Chuck Adkins on “Morning Exchange” on VOICEcorps radio to discuss audio description. The show, which originally aired on September 28th, is now available to listen to on demand. No subscription is necessary to stream live or on demand audio.
If you are not familiar with VOICEcorps, you should check out their website. It’s a great resource for anyone with low or no vision.
Tune in tomorrow morning (September 28th) to the Voicecorps show “Morning Exchange” where I and two other guests will be discussing audio description from both provider and consumer points of view. Whether you are curious about audio description or already a fan, this show is for you! If you do not have a radio or are not in the central Ohio area, you can listen online at https://online.voicecorps.org/listen.m3u. The show runs from 11 AM until noon.
A black and white photograph of a crested porcupine against a white background.
The porcupine is seen head-on. Its small, lowered, V-shaped head is framed by its circular torso that is supported by its two stocky, short front legs. The legs are directly below the head and are close together with a small square of light between them. There are four digits upon each foot. The porcupine’s long black and white quills bristle out and upward from its circular torso, past its forelegs, like the bristles of a half-round hairbrush. The quills are as long as the porcupine is tall. Each quill is banded in stripes of black and white. Long white quills stand up along the top of its head. The rest of its torso is covered by short dark bristles.
The dark figure of the porcupine stands out vividly from the stark white background. The only shadow is a short black line between the bottoms of its two front paws. The long black and white needle-like quills create a staccato halo upon its back.
Important update regarding the date for this film:
I was just on the Gateway Film Center’s site and the date for the film has changed. The day and time are Tuesday, September 25 at 2:00 PM.
In my last post about the upcoming film “Pick of the Litter”, I said that details about access for non-iOS users would be available on the Gateway Film Center’s website last week. When I checked over the weekend, I saw that it had not been added although the film is listed in upcoming events. Anyway, I called the theatre to double check on what would be available with regard to audio description for non-iOS users or anyone who doesn’t wish to use the Actiview app. The woman I spoke with told me that anyone desiring audio description should ask for the equipment at the ticket center, where it is available at no additional cost. The receivers fit in the cup holders on the arm of the theatre seats. You will be required to leave your ID at the ticket desk until you return the equipment.
So to recap: “Pick of the Litter”, an award-winning documentary that follows five Labrador puppies born in the Guide Dogs for the Blind breeding program from birth through their training to become guide dogs will be at the Gateway Film Center on Tuesday, September 25, 2018 at 2:00 PM. Audio description is available for download for iOS users on the Actiview app. The theatre also will be providing in-theatre audio description, just request the equipment at the ticket center. At the time I originally wrote this entry, the time was not listed on the website and the date was different so check You might want to check back at the Gateway Film Center’s website for the day and time before heading over there for the movie.
On this day two hundred and eight years ago Louis Braille, the man responsible for devising the system that bears his name of six dots to a cell for each letter of the alphabet, was born in a small village in France. But did you know that he was only a teenager when he did this groundbreaking work? The link below is to a half hour audio described and captioned docudrama video about Louis Braille:
This past winter, I had the opportunity to design a touch tour and write verbal descriptions for an exhibit featuring the work of Ohio artist James Mellick. Here is one of his more lighthearted dog sculptures.
When I Grow Up, 2007
This abstract sculpture of a very small dog on very tall legs stands about 4’ high. The body looks like a breadbox on stilts. The four legs rise up as four separate elements and are joined by a rectangular mid-section of two pieces with a wide gap running horizontally along its side. The legs are slender and elongated with knees and elbows about a third of the way up from the floor. The muscles, tendons and joints in the legs are subtly indicated by the gentle swelling of the stick-like limbs that then flare out at the thighs and shoulders. They appear to have been stretched as if they were elastic. The four pad-like paws with their carved front toes standing squarely on the ground seem large given the thinness of the legs. Behind each of the front legs, the dewclaws are represented by teardrop form attached at to the limb at its upper tapered neck and the globule hanging in high relief.
Two large bat-like ears resembling large pasta shells growing up from the back edges of the head mounted at the front end of the boxy body. The brow sits well below the ears. The muzzle tapers toward the blunt rectangular nose. The mouth is a narrow downward slit toward the bottom of the muzzle.
At the other end, a long thin tail curls down and around the rump, between the hind legs, where it then arcs downward beneath the middle of the torso.
The shapes are very simplified and there is minimal detail. The surface is smooth and polished with a soft sheen.
This tall narrow vase stands 16” high and is 5” wide. The body or lower portion is a little over half the height of the vase. At the shoulder of the vase, just below the slightly tapered base of the neck, is a strip of clay that joins the neck to the cylindrical body. It protrudes from the body like an uneven collar. The bottom of this strip has a rough edge that appears to have been torn. lug or knob has been pulled from this strip on either side. They stick out like little fingertips. The tops of these lugs have a small depression as if made by a thumb pressing down while the clay was wet. Two more lugs with holes in them are also on either side near the top of the neck, below the rim of the mouth. Uneven in size, the one on the right is a little bit longer than the one on the left. They stick out like two small rectangular ears.
This vase is like a recording. The depressions on the tops of the lugs at the shoulders, the rings banding the body and the neck, the splitting and cracking where the upper lugs and shoulder collar are attached, and the unevenness of the walls – they way they bow in and bulge outward – are all a record of the artist’s hands and the nature of clay. The color of the vase is smoky and streaky with flares of lustrous coppery reds, greys and blacks as well as the surface textures that range from glossy to matte, smooth to rough are all reflective of the wood-firing process.
This vase is part of the audio described touch tour for the exhibit “For the Table” at the Ohio Crafts Museum.